Annonces
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Is W A Y Shape – Arts Plastiques
Arts plastiques - Dallas (États-Unis) - 28/08/2015Something I tend to do is to sit in a room and re-design it in my head... This usually leads to my friends' lives improving considerably. I also leave paintings behind, zines, and poladoids. Kale chips and dehydrated brownies.
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Muralist, Painter, Printmaker Looking For An Adventure – Arts PlastiquesArts plastiques - Los Angeles (États-Unis) - 28/11/2023Hello, I'm a multidisciplinary artist whose back ground is in graffiti / street art, murals, painting, and printmaking. I also like working in ceramics but I'm a little new at that. I'm represented by Harman Projects in the USA. They have a gallery in San Francisco, Los Angeles and New York. Through, I'd like to get out into the world and have more experiences internationally.
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Nature And Horse Country, Daughter Soprano 1 – Nature
Nature - Aiken (États-Unis) - 01/04/2021Home in Aiken SC to host artist — must be clean, organized, courteous, non-smoker, no drugs, not heavy drinker
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Digital Artist – Arts VisuelsArts visuels - Santa Monica (États-Unis) - 24/02/2020I am a digital artist living in Los Angeles, California. My work fuses tactile elements of our reality within a digital framework. My mediums include Augmented Reality, Digital Painting, and Photography.
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Poète-linguiste Californienne à La Recherche D’une Résidence – ÉcritureÉcriture - Santa Cruz (États-Unis) - 10/02/2020Je suis artiste de Californie à la recherche d'un environnement énergétique (urbain ou collaboratif) ou je peux pratiquer des traductions/anti-traductions, et continuer mon travail sur un livre de poésie narrative en anglais "Do you kindly think of your girl?". Je parle l'anglais comme langue maternelle. Je parle le français comme deuxième langue, l'espagnol, et un peu de l'arabe. Je suis souple - je peux offrir des ateliers ou des cours de langue.
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New Orleanian Visual Artist – Arts VisuelsArts visuels - New Orleans (États-Unis) - 03/01/2020Paintings:(surrealistic,esoteric,spiritualistic,culturalistic,universal,scientific,sacred,exploritory,contemporary,visionary. Installations and Sculptures: (wood,driftwood,metal,furniture,totems,found materials,repurposed materials,recycled materials,natural materials,synthetic material,...) Carpentry: (traditional,tiny houses,tree houses,lofts,additions,furniture,flooring,molding,doors,windows,gardens,planters,fountains,gazeboos,fences,awnings,pathways,mosaics,interior design...)
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Playwright Working At The Intersection Of Performance And Cycling Culture – ÉcritureÉcriture - OAKLAND (États-Unis) - 06/04/2019Hi! I'm Dara, 36, female. I'm a playwright and theatermaker who runs a theater company called Agile Rascal Theatre. We create new works with environmental themes and tour them on our bicycles. Currently we have done a coast-to-coast tour of the United States, as well as tours of Montana and Florida. For each project we bring professional artists from all over the country to create a new work that explores the environmental themes of that region, and then tours them on bicycle. It's part performance, part adventure art, part environmental awareness campaign.
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Artist, Musician, And Psychotherapist Bringing Creativity And Healing Together – AutreAutre - WEST PALM BEACH, Florida (États-Unis) - 04/09/2018Elise Goldstein is an American-born researcher in the field of Intra-Personal Communication - the study of how inner-dialogue shapes the creation of self, identity, and perception. This research has led her through a variety of disciplines, from shamanism to psychoanalysis, from auto-ethnography to performance art. She has a background in printmaking, painting, sculpture, book-arts, and photography. Elise was awarded her Master of Fine Arts from the School of the Art Institution of Chicago in 2010 and a Post-Graduate Research certificate from the Royal Institute of Cinema, Theatre & Sound (Brussels) in 2012. Since then, she has been working mainly as a creative arts therapist.
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Jeune Artiste Française De Retour De NY :) – Arts PlastiquesArts plastiques - Brooklyn (États-Unis) - 01/09/2018Bonjour, Après 7 ans à l'étranger et de nombreuses expositions à NY et dans d'autres pays, je me sens prête à rentrer en France.. Mon travail est centré sur la relation de l'être humain à la Nature et aux animaux. Je suis principalement peintre mais je fais aussi de la sculpture et du dessin.
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Retraite Pour L’écriture De Mon Prochain Disque – MusiqueMusique - New York City (États-Unis) - 20/06/2017Mon est Michaël Valeanu et je suis guitariste professionnel. Mon activité consiste à donner des concerts partout autour du monde, mais aussi à composer, arranger et produire de la musique pour moi même ou les autres. J'ai enseigné et enseigne encore parfois la musique lors de master class. Mon style de musique de prédilection étant le Jazz, voilà maintenant près de 10 ans que je vis à New York. Cependant j'aime revenir régulièrement en France pour me ressourcer et travailler à de nouveaux projets.
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échange Atelier Ou Oeuvre – Arts PlastiquesArts plastiques - Los Angeles (États-Unis) - 10/10/2016
atelier paris 18è me 36m2
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Visual Architecture Of Memory – Arts Visuels- Dallas (États-Unis) - 09/09/2026Pattern as structure. Light as material. Transformation as form. Perhaps what happens when the artist who normally imposes transformation begins allowing a place to tell him how transformation occurs? What survives transformation? What will be the contemporary relics of today with 3D printing, AI and algorithmic influenced taste? Who decides that one material is precious and another is kitsch? Why can the same visual vocabulary—crystal, ornament, shine, excess—signify cheapness in one context and extraordinary luxury or sacredness in another? What happens when enormous amounts of skilled hand labor are concealed behind a surface that the viewer initially experiences simply as spectacle? I want to look more closely at the politics embedded in judgments of ornament, labor and value: why some forms of material excess are read as luxury, others as kitsch, and how context determines which kinds of labor become visible. Questions already central to my practice: how objects acquire value, how repeated labor becomes visible through surface, and how material carries the history of the conditions in which it was formed. My practice does not treat radiance as a surface effect alone. It examines how repeated labor changes an object’s authority. I transform familiar objects through thousands of individually placed reflective elements. The labor changes more than their surfaces: it changes how viewers assign authority, value, and significance to them. By transforming familiar archetypes—from classical figures to mythic icons—into light-refracting physical statements, I examine how society projects and consumes value. My work challenges the ephemeral nature of modern visual culture by demanding slow, tactile engagement. A crystal reflects the light that reaches it. My practice does not treat radiance as a surface effect alone. It examines how repeated labor changes an object’s authority. My sculptures are created through the patient placement of thousands of reflective elements, yet the finished surface can appear immediate and effortless.The process is repetitive, physical, patterned for cognitive and somatic interruption to provide a true moment of yourself reflected back to you with resonance.
